St Joseph Cathedral, Hanoi
Hanoi’s principal historic Catholic cathedral and a major landmark of the Old Quarter.
Cattedrale Metropolitana di Santa Maria Assunta · Duomo di Siena · Cathedral of Santa Maria Assunta
A major Tuscan cathedral renowned for its striped marble architecture, sculpture and inlaid marble floor.
Sacred Place Overview
Identity, documented context and sacred significance.
Siena Cathedral stands in Siena, Tuscany as a major Tuscan cathedral renowned for its striped marble architecture, sculpture and inlaid marble floor. Its documented history is central to its significance. The Opera del Duomo notes traditions of an earlier church and a 1179 consecration but treats these early details cautiously; documentary evidence becomes clearer in the 13th century, including Nicola Pisano’s work from 1259.
The principal construction chronology is main medieval building developed during the 12th–14th centuries. The built environment is also important: Romanesque-Gothic. Religious significance is centered on Assumption of Mary.
Early origin and consecration dates are described cautiously because the cathedral authority itself distinguishes later tradition from securely documented evidence. Cattedrale Metropolitana di Santa Maria Assunta is the site’s official designation. The responsible religious body listed for the site is Opera della Metropolitana di Siena.
It remains an active Christian place of worship, so liturgies, feast days and pilgrimages can shape how the site is experienced. Visitors should use the official website for current access arrangements, especially around major religious observances.
A concise view of the place, tradition, location and heritage details available for this Sacred Place.
Religious tradition, dedication and sacred associations connected with this place.
Documented history, sacred narrative and editorial synthesis are kept visibly separate.
The Opera del Duomo notes traditions of an earlier church and a 1179 consecration but treats these early details cautiously; documentary evidence becomes clearer in the 13th century, including Nicola Pisano's work from 1259.
Early origin and consecration dates are described cautiously because the cathedral authority itself distinguishes later tradition from securely documented evidence.
Romanesque-Gothic
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